Subjunctive space, Sydney Olympic Park, NSW
University of Technology Sydney
Project Description
The Miluni (mud) Songline challenges the erasure of Sydney’s overlooked Aboriginal spatial histories and practices, by valuing and celebrating them. Using robotically 3D printed clay, with UTS Masters of Architecture students, we produced a series of six installations that form a Songline through the Badu Mangroves. The Songline allows participants in the Sydney Olympic Park Indigenous Education program to experience and embody aspects of Aboriginal cultures that they would otherwise only hear, bringing the stories and practices to life for participants in a new way.
We were culturally led by D’harawal Saltwater Knowledge Keeper Shannon Foster to develop the Miluni Songline through the Badu Mangroves at Sydney Olympic Park for use in the Park’s Indigenous Education program. The project, funded by is a collaboration between Shannon Foster, Jo Paterson Kinniburgh, Tran Dang and Daniel Beasly (Stukel Architecture), working with the Sydney Olympic Park Authority.
The project asks students to consider how they might collaborate in projects that are Indigenous-led, how they listen to and respect Aboriginal knowledges and how they listen to Country when they design.
Location
Learning Methodology
This studio is run as an intensive studio with 2 full days of contact hours throught 7 weeks. The students will be immersed in the community having an opportunity to take all lessons at the Community Hub allowing the students to experience the area in depth. The studio is open to all built environment disciplines with assessment strategies adapted to allow skill development and evaluation based on their future role as placemakers.
Students will work collaboratively in small groups to plan, design and implement strategies for community engagement. Then, their designs will reflect and respond to the community perceptions gathered during this engagement. Each group will be expected to manage their budget, safety and policies of the Newport area.
It is expected that students enrolling into this studio will be able to develop the following placemaking skills:
How does this studio match PlaceAgency Objectives?
The studio created an opportunity for students to work closely with local Aboriginal representatives and question the strategies traditional architecture uses to approach a site. In this process, the students learned to engage with the Indigenous concept of Country and learn to listen for the story of the place beyond that of written post-colonisation history.
The students approached the project through a clear objective rather than seeking for a specific outcome and were able to respond to their learnings. The project site and idea shifted and evolved through the engagement process.
Activities – Studio Outline
| Activity | Description | Key dates for activities | Key learning objectives |
|---|---|---|---|
| Site Visits | Guided site visits and Community consultation | July – October 2018 | Learning D’harawal knowledges of Country Documenting Country |
| Education Program Sessions | Songline Development | September-December 2018 | Learning the stories of the Education Program for each level of students |
| Handover | Handover of the Songline to the Education Officers and Sydney Olympic Park representatives | December 11 2018 | humility |
Students
The following students are enrolled in this studio and have chosen to appear on the Place Agency website. You may access more information about them and their interests by clicking each of their photos.
This subject is available to students enrolled in The University Of Melbourne throughout Semester 2 2019. You can access the handbook by clicking here where you will be able to find more information about the studio.
Lecturer/Studio Leade
Joanne Paterson Kinniburgh
Project champion
Shannon Foster
Disciplines
- Architecture